1. The Post Classical (or Medieval) Period (600 C.E. – 1800 C.E.): Three Major Developments
a. (1) Systematization of Hindu philosophy into six schools (darsanas)
i. Advaita philosophy
1. Sankara (788-820): philosophical defense of absolute unity. Saiva Siddhanta
2. Brahman is without qualities (nirguna)
3. Maya
- from false notions of what is real
b. (2) Rise of Tantrism (dissent against convention)
i. Techniques that lead directly to liberation, bypassing tradition
ii. Mantras, mandalas, yogic techniques, guru
iii. Right-handed and left-handed
1. RH: For all adepts, use of mantras, mandalas, rituals
2. LH: Partaking of forbidden things, transcend artificial distinctions (caste, purity-impurity, dharma-adharma). Polluting things, meat, illicit sexual intercourse.
a. Everything
pervaded by Brahman, sanctity of all things, underlying unity -- no high/low,
no pure/impure
2. (3) Rise of devotional movements
i. Nayanmars (Saiva) and Alvars (Vaisnava) – new forms of piety
ii. Rise of temples as religious centers
iii.
Puranas (“stories of old”): 18 major
3. Alvars: 6th - 9th centuries. Wandered from temple to temple, est. pilgrimage sites.
a. Before extensive influence of Sanskrit and Brahmanical culture
b. Tamil culture assimilated the above
i. Poetry and songs: love and war, devotion to Murukan
ii.
Tradition of emotional expression - basis of Tamil
religious literature and devotion - fueled development of bhakti
all over
c. Classification of emotions of love. 5 groups, corresponding to 5 different landscapes, types of flower. E.g.:
i. love-making -- mountain landscape -- mountain flower
ii. anxiously awaiting loved one -- seashore (sharks and fishermen)
iii.
separation -- arid landscape, desert, cultures,
starving elephants -- desert flower
4. Devotionalism: Bhakti
a. Bhakti: love, service
b. Early dev in 4th cent Tamil, flourished from 12-18th century in all regions and languages
c. Exterior manifestation in temples, images, processions, feasts, popular gurus
d. General
Characteristics: Populist, Vernacular Poor, dispossessed and oppresses linked
in their religious attitudes with orthodox, upper class devotees.
2. Poets
and Saints
Darsan, Murti, Puja, and Prasad
1. Darsan: auspicious seeing
a. The prominent role of the eyes in apprehending the sacred
b. Giving and taking darsan
c. Iconic
and aniconic images
2. Murti: iconic images of the gods
a. Divine descent
b. Embodiment
of the deity: from formlessness to form
3. Puja: rites of worship and honor
a. Divine-human
reciprocity
4. Prasad:
offerings of food
Terms: